Âîçâðàùàþñü ê òåìå "Òàéíîé âå÷åðè", çàòðîíóòîé åùå ïðè ïðîøëîì Ïàïå
Èîàííå Ïàâëå II-ì (ïðî "öàðñòâî åìó íåáåñíîå" óìîë÷ó - äëÿ Ïàïû ýòî ñàìî
ñîáîé). Íî óæå ïðè íîâîì Ïîíòèôèêå Áåíåäèêòå XVI âñêðûëèñü íîâûå
áîæåñòâåííûå îáñòîÿòåëüñòâà. È âîò â ñâÿçè ñ ðîìàíîì "Êîä äà Âèí÷è" Äýíà
Áðàóíà, ïî êîòîðîìó ñíÿò îäíîèìåííûé ãîëëèâóäñêèé áëîêáàñòåð, è
"Åâàíãåëèåì îò Èóäû" âñïîìíèëñÿ îäèí èç èñòîðè÷åñêèõ ìîìåíòîâ â ðàáîòå
Ëåîíàðäî äà Âèí÷è íàä "Òàéíîé âå÷åðåé", íàâåÿííûé èç ðàçíûõ èñòî÷íèêîâ.
Èçâåñòíî, ÷òî êàðòèíà áûëà âûïîëíåíà êàê ôðåñêà íà ñòåíå ìèëàíñêîãî
ìîíàñòûðÿ "Ñàíòà-Ìàðèÿ äåëëå Ãðàöèå". Óâû, ñåãîäíÿ ýòî ðóèíà, äà è ÷åãî
òàì âÿêàòü, åñëè óæå ëåò ÷åðåç 20 ïîñëå çàâåðøåíèÿ êàðòèíà ãàâêíóëàñü.
Ïî÷åìó? Ëàð÷èê îòêðûëñÿ ïðîñòî.
Äà Âèí÷è ñìåøèâàë òåìïåðó ñ ìàñëîì. Ìîæåò, ñ òåìïåðîé ïîñòàâùèêè íå
ïîäâåëè, íî âîò ìàñëî îêàçàëîñü òóõëûì. Âèäàòü, äî êðàñîê ó õóäîæíèêà
ðóêè íå äîøëè, ïîòîìó êàê ïðè ðàçìåðå êàðòèíû 9 íà 4 ìåòðà æèâîïèñè áûëî
äî õðåíà è áîëüøå. Âðîäå ó íåãî áûë 5-ëåòíèé ïëàí ðàáîòû, íî åãî
ïðèíóäèëè âçÿòü íà ñåáÿ ïîâûøåííûå ôåîäàëèñòè÷åñêèå îáÿçàòåëüñòâà -
âûïîëíèòü ïÿòèëåòêó â òðè ãîäà. Ñïóñòÿ ñòîëåòèÿ ýòî äîñòèæåíèå äà Âèí÷è
ñòàëî ìàÿêîì äëÿ øàõòåðà Àëåêñåÿ Ñòàõàíîâà, íàðóáèâøåãî 102 òîííû
àíòðàöèòà çà ñìåíó.
Âîçìîæíî, Äà Âèí÷è äåéñòâèòåëüíî ïîðàëñÿ áû âñþ çàäóìàííóþ ïÿòèëåòêó
("Ñëóæåíüå ìóç íå òåðïèò ñóåòû" (ñ)Ïóøêèí), íî â ðîëè "ïîãîùèêà ìóëà"
âûñòóïèë ïðèîð ìîíàñòûðÿ. Íàòóðà íèçìåííàÿ, íå ïîíÿâøàÿ
âûñîêîõóäîæåñòâåííóþ äóøó Ìàñòåðà. Èåçóèòó âñå ìåðåùèëîñü, âðîäå
Ëåîíàðäî êîñèò îò ðàáîòû, ïðîñòàèâàÿ äíÿìè ïîãðóæåííûì ñíà÷àëà â
ðàçìûøëåíèÿ ñ áóòûëüþ âèíöà, à êîãäà åå âûñàñûâàë – â êðåïêèé ñîí ïîä
ôðåñêîé.
Åìó, òóïîìó ïðèîðó, êàê âñÿêîé ìåëêîíà÷àëüñòâåííîé øóøåðå, õîòåëîñü,
÷òîá âåëèêèé Ëåîíàðäî äà Âèí÷è ïàõàë êàê ïàïà Êàðëî. Îí òðåáîâàë îò
õóäîæíèêà íå âûïóñêàòü êèñòè èç ðóê, è ÷òîá îíà, à íå ñàì Ëåîíàðäî, íå
ïðîñûõàëà. Íó ÿâíî, êàççåë, íå ïðîñåêàë ðàçíèöû ìåæäó Âåëèêèì Õóäîæíèêîì
è ïðîñòûì àóòñîðñèíãîâûì èíäèéñêèì ïðîãðàììåðîì.
Íî êîãäà ïðèîð ñëèøêîì íàåçæàë íà Ëåîíàðäó, ãåíèé ÷åëîâå÷åñòâà ïåðåõîäèë
íà ðóññêèé, êîòîðûé çíàë â ñîâåðøåíñòâå. Íó, ìîæåò, è íå âåñü, íî ñ
ïÿòîê ãëàâíûõ ñëîâ – òî÷íî. Âîò îí è ïîñûëàë ïðèîðà ê åãî ìàòåðè ïðîñòî,
ïî-ðóññêè.
Âðåäíûé, çàíîñ÷èâûé, äà åùå è îáìàòåðåííûé öåðêîâíèê íàñòó÷àë íà÷àëüñòâó
– ìèëàíñêîìó ãåðöîãó. Òîò ñíà÷àëà îòìàõèâàëñÿ îò êëåðèêàëà êàê îò
íàçîéëèâîé ìóõè, òèïà "ïøîë íàõ! ", íî ïîòîì ñäàëñÿ è âûçâàë íà êîâåð
Ëåîíàðäó. Êàê íàòóðà áîëåå âîçâûøåííàÿ, ñëîæèâøàÿñÿ íà ôèðìîâîì
"Êüÿíòè", à íå êàêîì òàì ãðóçèíñêî-ìîëäàâñêîì øìóðäÿêå, ãåðöîã ïîïðîñèë
äà Âèí÷ó î ñíèñõîæäåíèè, ïðèçíàâøèñü, êàê ãðåáàííûé ïðèîð åãî äîñòàë è
êîíêðåòíî çàèïàë ïîõëåùå, ÷åì Àëèê - "Àíåêäîòû èç Ðîññèè".
Òóò æå äâå âîçâûøåííûõ íàòóðû íàäðàëèñü âóñìåðòü, ðàçãîâîð ïåðåøåë "çà
æèçíü". Íó òàì, î áàáàõ, äà è õóäîæåñòâåííûå òåìû íå îáîøëè. Ëåîíàðäî
ðàñêîëîëñÿ òèïà, ÷òî îí âîò-âîò çàêîí÷èò ðîñïèñè, à îñòàëîñü åìó
âñåãî-íè÷åãî – äâå ãîëîâû — Õðèñòà è ïðåäàòåëÿ Èóäû.
Îçàðåíèå ïðî ãîëîâó Õðèñòà Ãîñïîäü ïîñëàë Ëåîíàðäó ñðàçó – óçðåëàñü â
ãåðöîãñêîé â õîäå ïåðâîãî æå áðóäåðøàôòà. À âîò ãîëîâó Èóäû Ìàñòåð õîòåë
áû åùå ïîèñêàòü, íî â êîíöå êîíöîâ, åñëè óæ òàêîé íàïðÿã, âïîëíå êàíàåò
ãîëîâà ýòîãî ñàìîãî íàñòûðíîãî ïðèîðà. Âûáîð íàòóðû äëÿ Õðèñòà
ðàññòðîãàë Ãåðöîãà äî ñëåç, à äëÿ Èóäû - ðàçâåñåëèë äî óñåðó.
È, óæå â êîíå÷íîé ôàçå îïîðîæíåíèÿ âèííûõ åìêîñòåé, ãåðöîã âûäàë
Ëåîíàðäó çàâåòíûé ïàðîëü: "Òû ìíå äðóã? " È ïîëó÷èë ãåíèàëüíûé îòêëèê:
"Áëÿ áóäó, äðóã! ". Òóò æå, â ïîðÿäêå îòâåòà çà áàçàð, Ëåîíàðäî ñäåëàë
íàáðîñîê ñ ñàìîãî ãåðöîãà äëÿ ãîëîâû Õðèñòà.
À ñðèñîâàííûé ãåðöîã âûçâàë ïðèîðà, ïî ïüÿíîìó äåëó íàêîöàë åìó â òûêâó
è ïðèêàçàë ñîñëóæèòü íàòóðùèêîì Èóäû. Âûáîð îêàçàëñÿ î÷åíü óäà÷íûì:
ïðèîð áûë òàêèì çëûì èç-çà äàâèí÷åííîé ïîäñòàâû, äà îïðåäåëåííûå
äåôîðìàöèè ìîðäóëåíöèè ïîñëå ãåðöîãñêîãî ðóêîïðèêëàäñòâà íå äîáàâèëè åãî
èìèäæó äîáðîòû.
 èòîãå Èèñóñ-ãåðöîã ñòàë íà ìíîãèå âåêè îáðàçöîì ïðåäàííîñòè è
ãóìàíèçìà äëÿ ìíîãèõ ïîêîëåíèé âåðóþùèõ, à Èóäà-ïðèîð, äëÿ íèõ æå,
îêàçàëñÿ íà êàðòèíå èñòèííûì âîïëîùåíèåì ïðåäàòåëüñòâà è
áåñ÷åëîâå÷íîñòè.
Âïðî÷åì, ñåãîäíÿ Èóäà áîëüøå íå ïðåäàòåëü, à íàçíà÷åííûé ñàìèì æå
Èèñóñîì â êðàéíåãî. Â Áîæüåì ïðîìûñëå âñåé ýòîé õèòðîóìíîé ïîñòàíîâêè ñ
ìó÷èòåëüíîé ñìåðòüþ âî èñêóïëåíèå ãðåõîâ ÷åëîâå÷åñòâà. Óâû, èñêóïëåíèÿ
ÿâíî íå õâàòèëî, ãðåõîâ îêàçàëîñü êóäà áîëüøå. Íî âîò â ñâåòå ïîñëåäíèõ
ïðåäñòàâëåíèé îá Èóäå åãî êóäðÿâóþ ãîëîâóøêó íà êàðòèíå ïðèäåòñÿ
óäîáðèòü. Äà è çàîäíî êàðòèíó ìîäåðíèçèðîâàòü. Ýòî ïðèçíàë äàæå Âàòèêàí,
îäîáðèâ íîâóþ âåðñèþ "Òàéíîé âå÷åðè" â èñïîëíåíèè ìîñêîâñêîé õóäîæíèöû
Íàòàëèè Öàðüêîâîé è ïîìåñòèâ êàðòèíó â òîì æå ìîíàñòûðå.
Íàøà Íàòàøà ÷èñëî íåòðåáíûõ äåâîê, ó÷àñòíèö "Âå÷åðè", ðåçêî óâåëè÷èëà ïî
ñðàâíåíèþ ñ ïóðèòàíñêèì èñïîëíåíèåì ñðåäíåâåêîâîãî ìðàêîáåñà Ëåîíàðäî äà
Âèí÷è: â Èòàëèè åãî âðåìåíè, êàê ñïóñòÿ òðè âåêà â ÑÑÑÐ, "ñåêñà íå
áûëî". Ñàìè öåðêîâíèêè â ðàìêàõ öåëèáàòà íàïðîïàëóþ ïåäîôèëèëè,
îáçàâåäÿñü ìíîãî÷èñëåííûìè õîðàìè ìàëü÷èêîâ, à ïðîñòûì
ñìåðòíûì-íàòóðàëàì îñòàâèëè îðòîäîêñàëüíî ìèññèîíåðñêóþ ïîçó,
èñêëþ÷èòåëüíî ïðîäëåíèÿ ðîäà ÷åëîâå÷åñêàãî äëÿ.
... Êîä äà Âèí÷è îòêðûëñÿ è ìíå. À ñ íèì è íîâîå, èñòèííîå âèäåíèå
êàðòèíû. Ñòàëî ÿñíî, ÷åãî íà ñàìîì äåëå õîòåëîñü àôôòàðó ïðåäñòàâèòü
ïîòîìêàì XXI-ãî ñòîëåòèÿ.
Óâû, õóäîæåñòâåííîé òåõíèêè äà Âèí÷è äà ìîäåðíîâîãî äàðà Öàðüêîâîé ó
ìåíÿ òàêè íåò. Âñåãî-íè÷åãî ñòðàäàþ ôîòîøîïíóòîñòüþ â ëåãêîé ôîðìå. È ïî
îäåæêå ïðîòÿíóë íîæêè: íîâóþ êàðòèíó çàòåâàòü íå ñòàë, íî ïî
îòêðûâøåìóñÿ ìíå êîäó Ìàñòåðà ìîäåðíèçèðîâàë ñòàðèííóþ, êîòîðóþ è
ïðåäëàãàþ îòìåííîìó âêóñó ìîèõ ÷èòàòåëåé.
ÒÀÉÍÀß ÑÒÀÍÎÂÈÒÑß ßÂÍÎÉ...
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Here is a Translation.
geeze.
quoting a fictional book which was about religion (ie more fiction).return to the theme with the "secret of vecheri", touch uponed even during past Pope Hans Pavel's lifetime II- m (about the "reign to it celestial" I will hush up - for the Pope this by itself). But already with the new Pontiff Benedict BY THE XVI were revealed new godly circumstances. And it is here in connection with the novel "code of da Vinci" of Dan Brown, according to whom similar Hollywood blockbuster is taken, and by "gospel from Judas" was recalled one of the historical moments in the work Of lednardo.da.vinchi on the "secret darken", blown from the different sources. It is known that the picture was executed as fresco on the wall of milanskogo monastery "Santa Maria to delle Gratsiye". Alas, today this is ruin, yes even what to there vyakat', if already years through 20 after completion picture gavknulas'. Why casket was opened by prosto[.url=.yuttp://teyen-sekh.shayoyu.chom ]. Da Vinci mixed up tempera with oil. Maybe, the suppliers did not bring with the tempera, but here oil proved to be rotten. To see, to the paints in the artist of hand they did not reach, therefore as with the size of picture 9 to 4 meters of painting it was to the horseradish and more. Like it has 5- summer job schedule, but it they forced to take upon itself the increased feodalisticheskiye obligations - to carry out the five-year plan in three years. After the centuries this reaching by da Vinci became lighthouse for miner Aleksey stakhanova, who chopped 102 tons of anthracite for the change. Is possible, da Vinci actually poralsya entire planned five-year plan ("Sluzhen'e of the Muzas does not suffer fuss" (s)Pushkin), but the role of "pogoshchika of mule" assumed prior of monastery. Nature low, which did not understand the highly artistic soul of master. To Jesuit everything seemed to, like Leonardo it mows from the work, staying by days submerged first in the reflections with the bottle of vintsa, and when it it sucked out - into the strong sleep under the fresco. To it, dull prioru as to any melkonachal'stvennoy shushere, it wanted great Of lednardo.da.vinchi to be ploughed as dad of Porta. It required artist not to let out brush from the hands, and so that it, and not itself of Leonardo, would not dry. Well is clear, kazzel, it did not cut the difference between the great artist and simple autsorsingovym Indian programmerom. But when prior too ran foul of to Leonard, the genius of humanity passed in the Russian, who knew to the perfection. Well, can, and not entire, but from the heels of main words - accurately. Here it sent priora to its mother simply, in Russian. Harmful, arrogant, the on top of that and obmaterennyy churchgoer of nastuchal to the authorities - to milanskomu duke. That first brushed off from the clerical as from the importunate fly, the type "pshol of nakh! ", but then it were returned and caused to the carpet to Leonard. As nature that more elevated, prevailing on by firmovom "To k'yanti", but not what there Georgian- Moldavian shmurdyake, duke asked yes I screw about the condescension, after acknowledging, as his grebannyy prior he reached and is concrete zaipal to pokhleshche, than Alik - "anecdotes from Russia". Here two elevated natures tore to vusmert', conversation passed "for the life". Well there, about the rams, yes even artistic themes did not go around. Leonardo was cleft type, that he will any minute now finish paintings, and it remained to him entire- anything - two heads - Christ the traitor of Judas. The Lord sent illumination about Christ's head to Leonard immediately - whereas it uzrelas' in the ducal in the course of first brudershafta. But here Judas master's head he would want to still look, but finally, if already similar strained, completely kanayet the head of this pushyest priora. The selection of the nature for Christ of Herzog's rasstrogal to the tears, and for Judas - cheered up to useru. I, already in the terminal phase of the emptying of wine capacities, duke gave out to Leonard the cherished password: "you to me friend [ url=.http://casino-tigmuh.flintcarshopping.com ]" I obtained the brilliant response: "Blya I will be, friend! ". Here, by way of answer for the market, Leonardo traced from the duke himself for Christ's head. But the copied duke caused priora, in the drunk matter of nakotsal it into the pumpkin and ordered to render by the live model of Judas. Selection proved to be very successful: prior was such evil because of the davinchennoy support, yes the specific deformations of mordulentsii after ducal child abuse did not add to its image of kindness. As a result the Iisus- duke became to many eyelids the model of devotion and humanism for many generations of believers, and Judas -prior, for them, it proved to be on the picture the true embodiment of treachery and inhumanity. However, today Judas is more not traitor, but assigned Iisusom itself into the extreme. In the God trade of this entire crafty setting with agonizing death into the atonement of the sins of humanity. Alas, atonement clearly did not be sufficient, sins it proved to be where more. But here his curly head on the picture it is necessary to fertilize in light of the last ideas about Judas. Yes even picture to at the same time modernize. This recognized even Vatican, after approving new version by the "secret of vecheri" in execution of the Moscow artist of Nataliya tsar'kovoy and after placing picture in the same monastery. Our Natasha the number of netrebnykh wenches, participants In "vecheri", sharply increased in comparison with the Puritan performance of the medieval obscurantist Of lednardo.da.vinchi: in Italy its time as after three centuries in THE USSR, "sex not it was". Churchgoers themselves within the framework of celibacy recklessly of pedofilili, after acquiring by the numerous choruses of boys, and to simple mortal- naturals left orthodox missionary pose, is exclusive the prolongation of kind chelovecheskago for. ... Da Vinci's code was opened and to me. But with it and the new, true vision of picture. It became clear, what in reality it was desirable afftaru to present to descendants XXI- GO of century. Alas, artistic the technicians da Vinci yes the modern gift To tsar'kovoy i after all do not have. Entire- anything I suffer fotoshopnutost'yu in the mild case. And on odezhke it lengthened the legs: the new picture to venture it did not begin, but on opened me to the code of master it modernized ancient, which I propose to the excellent taste of my readers.
geeze.
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